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Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Her parents, a supervisor in an insurance company and an amateur painter sent her to GirlвЂ™s High school. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town.

Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Her prior preoccupation was to represent the вЂnew womanвЂ™ of the Weimar Republic with new social role and given freedoms.Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her task was to design embroidering, knitting and crocheting patterns for the booklets.Being on vacation with her beloved in 1918, Hannah discovered вЂthe principle of photomontage in cut-and-paste images that soldiers sent to their familiesвЂ™ (National gallery of Art). For ten years till 1926 Hoch worked in BerlinвЂ™s major publisher of newspapers and magazines. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement.

In the background a large advertisement with a womanвЂ™s hair-do on top is presented. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. It combines the elements of technology and females.

The photo is surrounded by the BMW circles which add the spots of blue.An apt description of the piece is given in the book вЂCut with the Kitchen KnifeвЂ™ and states that it is вЂa portrait of a modern woman defined by signs of femininity, technology, media and advertisingвЂ™ (Lavin). The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. This unusually large eye symbolizes DADA movement вЂ” a monocle, which is present in almost every HochвЂ™s work. A womanвЂ™s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos.

The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. Every single convention was challenged and bourgeois society was scandalized. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. The watch is viewed as the representation of how quickly women are to adapt to the changes.In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens вЂ” smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.The beautiful girlвЂ™ is an example of the art within the DADA movement.

Hoch became the only German woman who referred to DADA. A five minute history).Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada.

Her aim was to submit female equality within the canvass of other DADAвЂ™s conceptions.Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as вЂa charming and gifted amateur artistвЂ™ (Lavin).